Bonnaroo Music and Arts Festival
Festival 411
Tickets
News
Schedule
Know Before You Go
Getting Started
Introduction / Download PDF
What To Bring
What Not To Bring
What Will Be Provided
Getting Here
Location / Directions / Traffic
General Traveling Info
Directions
Traffic
Being Here
Re-Entry Policy
Campground Opening / Closing
Camping Only Areas
Family Camping Area
PODS
RV Parking Area / RV Parking Passes
Companion Pass
Security / Safety
Words of Wisdom
Centeroo Venue Opening & Closing
What Is Allowed Into Centeroo
What Is Not Allowed Into Centeroo
FAQs
General FAQ
Bus Information FAQ
Greening FAQ
Ticket FAQ
Campgrounds & Camping FAQ
RV FAQ
Venue FAQ
Vending FAQ
Miscellaneous FAQ
Volunteer FAQ
Patrons with Disabilities
Access Intro / Download PDF
Travel Packages
Vendors
Volunteer
Greening & Activism
Greening
Partners
Greening Videos
Greening Blog
Greening Facts
Activism
News
What Can You Do
Community Investment
Contests
Music & Arts
Complete Lineup
Stages & Tents
Comedy
Cinema
Somethin' Else
Cafés
Tickets
Ticket Info
VIP
Payment Plan
Activities & Attractions
Community
Community Home
Members
Videos
Photos
Audio
Blogs
Ride Finder
Message Board
Search
Watch Look Listen
Partners
About
What It Is
Contact
Press
Community Investment
Shop
Bonnaroo Store
Live Bonnaroo
Sign In
Join
Contact
Search
Search
Bear In Heaven
Links
www.bearinheaven.com/
Once the solo brainchild (circa 1998) of Atlanta-native Jon Philpot with a debut EP "Tunes Nextdoor to Songs" on Eastern Developments, Bear In Heaven has spent the last four years expanding into a full-fledged band. Now comprised of Philpot (Presocratics, Savath and Savalas, and, interestingly, editor of Wonder Showzen), Adam Wills (Rhys Chatham's Essentialist and Guitar Trio, Jonanthan Kane's February, and Paul Duncan), Joe Stickney (also of Rhys Chatham's Essentialist, Paul Duncan, as well as part time tour duty with Panthers), and Sadek Bazarra (designer with the venerable Graphic Havoc Visual Agency), Bear In Heaven has taken on the magic of many hands, not to mention a (super)group of longtime friends.
“Red Bloom of the Boom” marks the in-between moment of Jon Philpot's solo explosion becoming a full band's orchestra of sound. "We started clean and natural and as time passed we twisted, distorted and tweaked. After all that we're as handsome as ever," says Philpot, in a simple-yet-accurate explanation of the monster of a band that Bear In Heaven, unassumingly walking the streets of Brooklyn, has so suddenly, but deliberately, become.
The music: Philpot's voice is daydream-and-goosebump-inducing. It glides over walls of melodious distortion, building songs that are unapologetically epic. It is pleasure protracted, climaxes flashing well into songs that are complete sonic sentences. It testifies to psychedelic roots, to the music that we obsessed over in the 90s, and to absolute "future rock." Bear In Heaven is indeed deserving of a new descriptor.
The album is a timeline, according to Philpot, as well as an exercise in collaboration: "The group's core formed after a version of 'Shining and Free' was recorded. Our pal Gerry Fuchs (Turing Machine, !!!, Maserati) played drums on that song. Once Joe [Stickney, drummer] was onboard we went ahead with the others...We did 'Werewolf' and 'Slow Gold' at Sean Maffuci's studio. We we're able use his MU-tron, old pre-amps, tape echo and zero gravity chamber...There are guest singers...Alley [Alejandra Deheza of School of Seven Bells], Paul Duncan, Eva [Eva Puyelo Muns of Savath & Savalas]: amazing folks." Intra-band admiration continues with guitarist Adam Wills commenting that once-solo Philpot "brought a lot to the table as far as being able to let his own material go, to adapt it/edit it/change it/delete it/re-write over the course of a year in order to make it perfect."
Artists
Complete Lineup
Stages & Tents
Comedy
Cinema
Somethin' Else
Cafés
Superfly & AC Entertainment
©2002-2008 Bonnaroo Music & Arts Festival
Privacy Policy
Terms of Use
Sitemap